Underrated Sacred Geometry

Pythagoras of Samos

One of the Trail Blazers from Ancient Greece, it was over two and half thousand years ago that Pythagoras added his weighty contributions to our understanding of Math and the Universe. Heavily influenced by Ezekiel, the Hierophant of Pythagoras, amongst other things Pythagoras introduced us to ‘The Música Universalis’ and ‘Pythagoras Theorem’.

The Música Universalis

Incorporating an already established concept in metaphysics, Pythagoras used his combined understanding of Math and other Sciences to determine that numbers and shapes and the composition of them also have a corresponding Energy, with the Light and Vibrational components of that Energy, equating to a Universal Harmonic Tone.


He explains that the pitch of a musical note is in inverse proportion of the string that produces it and that the intervals, or spaces, between harmonic sound frequencies – the notes and half notes, form numerical ratios that are relative to each other. That these harmonic tones of energy are expressed in the mathematical structures and expressions of numbers, shapes, and angles, and all relative to proportion patterns.


Pythagoras had figured out that all celestial bodies within our Solar System produce their own individual sound. And with their orbital path’s giving off a particular resonance which directly influences the quality of life we experience individually and collectively on Earth.

Duplicated in both the macrocosmic and the microcosmic Universal and Personal Tree of Life, this understanding of the harmonic structure organizing the spherical vibration of multiple Spectrums of Frequency, is known as the Música Universalis.

Translated from Latin, Música Universalis means Universal Music. It is also known as The Music of The Spheres, and The Theory of the Harmony of The Spheres.

Pythagoras’ Theorem – Hype on Three

‘In A Right-Angled Triangle, the sum of the Square on the Hypotenuse is equal to the sum of the Squares on the other two sides’

A simple statement but powerful Math.

Where:

a = the Adjacent      b = the Opposite     c = Hypotenuse

and expressed mathematically as:

Example:

If                     a = 3cm                     b = 4cm                     c = ?

Then              a² = 9cm                    b² = 16cm                 = 9 + 16 = 25

Therefore {∴}                                                                   c = 5cm {5 x 5 = 25}

Numerically speaking Pythagoras’ Theorem allows us to measure an unknown length of a right-angled triangle and the diagonal of a square. It is also involved in other equations to calculate areas and shapes in relation to distance and points in Space. It also introduces the concept of Irrational Numbers and other calculations using Tangent, Sine and Cosine, or Tan, Sin, and Cos.

Recuerdo?! …      

Pythagoras Theorem is very significant. It is the evidence and confirmation of a very specific Pattern. This formula illustrates this Pattern in a right-angled triangle, but what does the Pattern mean? Well let’s go back a bit.

Sonic Geometry

Polygon means, ‘many angles’. We recognize these as basic shapes in Math. They are understood as Sonic Polygons when we understand how they are created, and create.

We know that Light and Sound Frequencies are made up of the electromagnetic energy configurations of Waves and Particles. These configurations determine how the Waves and Particles move and the shapes they create by that movement. This is how the core sonic geometric shapes are made. This is why shapes have a corresponding Vibration and Frequency.

Critically, this in turn goes back to the 12 Universal Harmonic Tones of certain Rays of Light, and the 12 corresponding Universal Harmonic Frequencies highlighted by Solfeggio, and of course the 144 Universal sub-harmonics of these.

It is Sound that creates geometric forms along with how Light is being directed and refracted. This dance between the components Sound and Light is the result of some very complex coding. Within each of these core geometric shapes is a corresponding set of geometric coding. These blue prints are the structure upon which everything else in the Universe is built.

What Are the Sonic Polygons?

The Sonic Polygons are the Triangle, Square, Pentagon, Hexagon, Septagon and the Octagon, as shown below and against their corresponding Harmonic Tone and Frequency.

Platonic Solids – Patterns in Creations

We have already had an introduction to Plato in the article on Socrates and the Trail Blazers. No doubt affected by the death of the ‘Grand-father of Philosophy’, his friend, his pier, and thus perhaps even more envigored to pursue and share his given truth, as another Gnostikoi, Plato’s quiet work speaks volumes. Following in the footsteps of others, he re-introduced the Five Platonic Solids.

The Five Platonic Solids are composed of the Patterns of the Sonic Polygons and so make up the Core Patterns of Physical Creations – the Archetypal Patterns of the elements of creation.

Plato determined four of the Archetypal Patterns as Fire, Earth, Air, and Water. The Archetypal Pattern of the Fifth Platonic Solid, is considered to be the Universal Substance of Creation. Essence. Consciousness.

Brahmanism refers to these as Earth, Fire, Air, Water, and The Void. Other ancient and modern day, ‘secret’ Esoteric Schools, refer to the fifth as Aether.

So, What Are the Five Platonic Solids?

First determined by Kepler, these are:

  • Tetrahedron

The first Platonic Solid – a triangle with 4 faces and representing the element Fire.

  • Hexahedron

The second Platonic Solid – a square with 6 faces and representing the element Earth.

  • Octahedron

The third Platonic Solid – a triangle with 8 faces and representing the element Air.

  • Dodecahedron

The fourth Platonic Solid – a 5-sided pentagon with 12 faces and representing the element of the time and space substance that builds matrices.

  • Icosahedron

The fifth Platonic Solid – a triangle with 20 faces and representing the element of Water.

Kepler’s ‘Mysterium Cosmographicum’

Why Are the Five Platonic Solids So Important?

The Five Platonic Solids hold their own corresponding and complex geometric codes based on those of the Sonic Shapes within them. The Five Platonic Solids hold the core geometric codes of all physical structures. That means everything and we mean EVERYTHING, all forms of matter and energy in our known universe are structured upon these sets of geometric coding. That’s pretty important.

Fractals – A Never Ending Story

A Fractal Pattern is an infinite repetitive geometric pattern.

When the repetitive Patterns found in the Platonic Solids fit within each other, they are called Fractals.  Their inner structure is an identical reflection of their outer structure. They can be scaled to any size from very small to extremely large so whilst the scale of a Fractal Pattern may change, the ratio always remains the same.

A Fractal Pattern is also the pattern that shapes the Atom. And this same atomic structure from a fractal pattern is the same pattern that shapes our Planets, Stars and the Universe – everything.

Three of our Favourite Fractal Patterns,: FLAME, ESCAPE TIME, DRAGON CURVE

So maybe think of the core Polygons as the inner structure, and the Fractal Patterns they form, as being the templates for the Platonic Solids – the outer structure.

 

Sacred Geometry

We know Math is the universal language. Math won’t hide smoke. And the Platonic Solids – what they are and what they do are rooted in Math and the branch we know as Sacred Geometry. And it’s called Sacred, for a reason.

Sacred Geometry, is the reference given to the sets of geometric patterns within the Platonic Solids that make up the core manifestation template and which dependent on their arrangement groups form very complex and specific coding that directs energy consciousness to, and within, ‘the myriad of all things’ in our known Universe. Sacred Geometry is the parts and sum of itself. It is, the Language of the Universe.

Through the complex re-arrangement of these geometric codes, manifested physical forms can also be altered or changed. By applying the Sacred Geometry Law of the Golden Ratio to the creation process, we get the result of a mathematically harmonious physical manifestation Form. Conversely, when arrangements of these geometric codes are manipulated outside of the Sacred Laws of Geometry, the results are non-harmonious, non-organic…

 

The Unified Field Grid

So, the basic Sonic Shapes and their Patterns make up the Platonic Solids. Dependent on their arrangements and resulting coding set is what determines the form on the manifestation template and structure of The Grid.

‘The Grid’ is the generic term used to describe the multiple layers of the Morphogenic Field, which together form the Unified Field – the living substance connecting and quantum entangling everything in our Universe.

 

Light Symbol Codes and Light Lines

… and a neutron window

The electromagnetic configurations made up of the components and frequencies of Light and Sound, make up Light Symbol Codes.

Light Symbol Codes are programmed into the core geometric polygons. These direct how the consciousness energy will move that form, organize their speed, angle, and rotation, and affect how they refract light, and replicate themselves into Geometric Patterns and Platonic Solids.

It is achieved by directing the geometric coding from the core geometric shapes that hold them and their Lines of Light, from the dimension where they are directly placed in The Grid, specifically to the dimension above. This affects the corresponding sound frequency resonating in that dimension directly above, and thereby its form.

 

The Krystal Matrix

The core Geometric Forms have the same structure as Crystals. The multi-dimensional layers of matter form and energy consciousness are created by the Crystalline Structure of these Geometric Forms. And again, these are what the core manifestation template and unified field grid are built upon.

These geometric cosmic gems of art set the geometric math foundation for all matter, structures, and biology, that experience the perspective of space and time within our known Universe.

The sets of coding can be altered or changed. So when directing a Light Symbol Code into a specific dimension of space and time, the Architect behind the construction of the Blueprint Coding is simultaneously directing specific frequencies from these geometries, into the dimension directly above. However, when the Architect changes or alters Light Symbol Codes, the Core Geometric Pattern is changed or altered, this in turn impacts and reflects the changes that need to be made elsewhere in the Krystal Body, and that includes Us.

A Dance of Light and Sound

Know that it is Sound that makes the Geometric Forms and which are only made visible through a corresponding Light. It is the dance of these two primordial entities that must come together in unity for the creation of all energy fields and forms. This is where the positive and the negative polarities of energy come in, the yin and the yang, the dark and the light, the outer and the inner. It is this Natural Universal Law, that ensures the male and female principles are always co-entangled in some capacity, on some level, in the marvel that is creation.

Whether those creations are sacred or not however, depends on whether they are divinely orchestrated and designed with the Harmonic Universal Laws of Sacred Geometry…or not.

And albeit tentatively here, this links back in with Innate Knowledge…and well, yeah, some other stuff too. The sobering truth is that significant parts of our Universal Time Matrix have been under the control of the NAA. The achievements and duration of the distortions, illusions, false systems, and controls, placed on us as a result, are mind blowing. That is what has been going on. And blowing these illusions apart is what the great ascension is really about.

References:

www.comsol.com, https://mathimages.swarthmore.edu/imgUpload/Sierp-zoom.gif, https://www.cuemath.com/geometry/polygons/

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